On behalf of that alleged security, Latin America met most indignant military dictatorships of the 20th century. Equally, the most committed to such an orientation formal democracies. We have mentioned before the emergence of a new aesthetic code. I would be remiss to add that such a code was fervently embraced by a large majority of the writers of the time. In our view, this is the the reason that generates the conceptual trend within the narrative. The city and the dogs, Vargas Llosa, portable country, Adriano Gonzalez, the death of Artemio Cruz, Carlos Fuentes, I the Supreme, Roa Bastos and so many others, are examples of the trend in reference.

Inevitably, different flows and ebbs, originated by the realization of a thesis on the life, and to the extent that were increasing the oppositions with the metropolis of the North, were creating natural desgajamientos. Known are the approaches, and in various directions, ranging from Vargas Llosa and Carlos Fuentes, Adriano Gonzalez, Garcia Marquez, Mario Benedetti, Oscar Collazos, to cite some of the most well known. I would be remiss adding that today day, WINS – now electoral – Lula in Brazil; Chavez, in Venezuela; Evo Morales, in Bolivia; of Tabare Vazquez in Uruguay; of Kitchner, in Argentina; Michelle Bachelet in Chile, necessarily will be central themes for the literary expression of social changes. And, no doubt, with the company of those who want to evade realities through new expressions of autonomous language. The Venezuela case. In the heat of the insurgency armed of the sixties, Venezuela occurs in a literature of guerrilla theme.

In poetry, stands out the work of Chinese Valera Mora. I woke up bullet and seventy poems drafting, represent a poetry which becomes combat weapon, to accompany what was seen as the ideological vanguard. Carlos Contramaestre and her tribute to necrophilia wants to establish a sort of artistic collage.